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Song :- Yeh Dil Aur Unki Nigahon Ke Saye
Film :- Prem Parbat
Artist :- Lata Mangeshkar
Music Director :- Jaidev
Lyricist :- Jan Nisar Akhtar
Mood :- Love, Affection, Liking
Theme :- Romantic
“ये दिल और उनकी निगाहों का साये” 1973 की हिंदी फिल्म ‘प्रेम पर्बत' का एक गीत है। ऐसा माना जाता है कि फिल्म का प्रिंट समय के साथ नष्ट हो गया और इसलिए ये फिल्म और इसके गाने देखे नहीं जा सकते।
यह गीत यहाँ मधुमती (1958) के दृश्यों पर दर्शाया गया है, जिसमें मुख्य रूप से “आजा रे परदेसी” गीत शामिल है। दोनों गाने के बीच कई समानताएँ हैं और इसी कारण से ये गीतों के मिश्रण का प्रयास काफी वास्तविक प्रतीत होता है।
जयदेव का संगीत, जाँ निसार अख्तर के अद्भुत शब्द और लता मंगेशकर की हृदयस्पर्शी आवाज इस गीत को सदाबहार बनाती है।
“Ye dil aur unki nigahon ke saaye” is a song from 1973 Hindi film ‘Prem Parbat’. It is believed that the print of the film got destroyed over time and hence the film and its songs are unable to be viewed.
The song is here played back on the scenes of Madhumati (1958), primarily consisting scenes from the song “Aaja re pardesi”. Both the songs share many similarities between them which makes this superimposition attempt quite real.
The soothing music by Jaidev, amazing lyrics by Jan Nisar Akhtar and the haunting voice of Lata Mangeshkar are just breathtaking.
This video also serves the purpose of how to superimpose video a d audio, as a tutorial.
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Choosing the Perfect Frame Rate: FPS Tips #fps #bestfps
24FPS vs 25FPS vs 30FPS vs 48FPS vs 60FPS vs 100FPS vs 1M FPS
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कितने FPS पर शूट करना चाहिए? सिनेमैटोग्राफी टिप्स |
At what fps should I shoot video? Cinematography Tips |
What Frame Rate Should You Be Filming In?
Choosing the Perfect Frame Rate: FPS cinematography Tips
Choosing the Right FPS: A Guide to Video Frame Rates
24FPS vs 25FPS vs 30FPS vs 48FPS vs 60FPS vs 100FPS vs 1M FPS
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Raja cheats people to make quick money. However, he seeks help from Yogi to settle scores with Varda, a billionaire based in Cape Town, when he kills his best friend, Raghav.
5 Cinematic Lighting Techniques - You Need to Know | Samar K Mukherjee
#cinematiclighting #movielighting
unlock the secrets of cinematic lighting in this tutorial with director and author Samar K Mukherjee. Learn essential techniques for the movie, short film, music video, ad film, or documentary lighting on a budget. Mukherjee simplifies complex concepts with practical examples, perfect for beginners and professionals alike. Illuminate your projects with confidence and creativity!
-----------------------------------------------
Our Filmmaking Courses (IFTA)
Learn filmmaking at home in Hindi/English with IFTA's Advanced Digital Filmmaking course by Digifilming. Practical and scientific, it's your gateway to a career in film. Start with us and launch your dreams. Contact for details!
Call - +91-7303330270
Whatsapp - +91-9326008921
Digifilming Pvt. Ltd.
Our Website-Based Online Courses:
1. Advanced Filmmaking (DFM) - Full Course: https://[a]www.digifilming.in%2Fcourse%2Fcourse_list%2F1[/a]
2. Advanced Cinematography - DOP Course: https://[a]www.digifilming.in%2Fcourse%2Fcourse_list%2F3[/a]
3. Creative Film Direction (CFD) - Direction Course: https://[a]www.digifilming.in%2Fcourse%2Fcourse_list%2F1[/a]5
4. Video and Movie Editing (VME) - Editing Course: https://[a]www.digifilming.in%2Fcourse%2Fcourse_list%2F4[/a]
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6. Advance Wedding Filmmaking (AWF) - Wedding Filming Course: https://[a]www.digifilming.in%2Fcourse%2Fcourse_list%2F5[/a]
7. AI-Powered Screenwriting Mastery (APSM) Course: https://[a]www.digifilming.in%2Fcourse%2Fcourse_list%2F23[/a]
Websites -
www.digifilming.in
www.digifilming.com
www.iftaindia.in
-------------------------
Our Android-based Online courses
https://play.google.com/store/....apps/details?id=co.a
1. Advance Wedding Filmmaking (AWF)
2. Mobile Video Editing (MVE)
-------------------------
Advanced Wedding Filmmaking (AWF)
Mobile Video Editing (MVE)
7-Days Practical Workshop & Masterclass (Offline)
Complete handholding Filmmaking workshop with industry-approved camera equipment and technology. Call - 7303330270 for more information.
-------------------------
Account Details for Course Purchase:
Account Name - Digifilming
Account Number - 195905000422
IFSC Code - ICIC0001959
Swift Code - ICICINBBCTS
IBAN NO - 021000021
Account Type - CURRENT ACCOUNT
Bank Address - Link Road, Malad West, Mumbai
-------------------------
Filmmaking Books in Hindi by Samar K Mukherjee:
"Think Before Saying Action"
"Zero-Budget Filmmaking" - Hindi and English
Paperback, PDF, and Audio-Video Book Edition
Contact - 8097075664
Start Your Own Film Production House
For Production House Franchise, Contact - 8115429411
-------------------------
Click here to watch a particular subject Video Playlist:
1. Cinematography-related videos: https://rb.gy/89zvrk
2. Scriptwriting related videos: https://rb.gy/erynx8
3. Direction-related videos: https://rb.gy/kqzedw
4. Technical review: https://rb.gy/kuxywr
5. Movie and Film editing video: https://rb.gy/kcq9mk
-------------------------
My Other YouTube/Social Media Links:
1. Samar K Mukherjee (Personal): https://www.youtube.com/c/SamarKMukherjee
2. Samar The Conclusion - Knowledge & Motivation: https://bit.ly/2McwZPf
3. Isha TV - Production house channel: https://www.youtube.com/c/ishatvmumbai
4. Digi Talkies - Music videos, Web series, and films: https://bit.ly/2SSh8Ic
5. Digifilming - Facebook Link: https://www.facebook.com/digifilmingofficial
6. Digifilming - Instagram Link: https://bit.ly/2AM2riN
7. LinkedIn: https://www.linkedin.com/in/sa....mar-k-mukherjee-228a
-------------------------
YouTube Disclaimer:
The video is for educational purposes only. Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use.
Copyright issues # If you are the rightful owner of any of our clips and have any issues, please feel free to contact us. For Business inquiries: digifilming.manager@gmail.com
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Kumar Ramsay, a member of the family best known for their horror films scripted this version of the classic Persian legend drawn from the 10th C. Shahnama which was a staple item in the Parsee Theatre. Rustom (Kapoor in a role reminiscent of his performance in Mughal-e-Azam, 1960) is the king of Persia whose wife Tehmina(Suraiya) bears hisma son while he is away fighting wars. The son, Sohrab (Premnath), grows into a powerful warrior and ends up challenging his father. Unware of each others indentity, they confront each other on the battlefield where, in true feudal tradition, Rustom triumphs over his son. *.* The name of Rustam reigned supreme in the whole of Persia in the year 720 B.C. He was known for his gigantic elephantine physique and hard won world fame for his super human strength. . Persia was in alliance with Samangan a small friendly neighbouring kingdom. Princess Tehminia of Samangan had been lured towards Rustam by the stories of his strength. She desired him, destiny favoured the fair princess and Rustam consented to marry her. . After marriage Rustam lived in Samangan in the secluded company of Tehminias love. The enemies of Persia took advantage of his absence and with their treachery threw the Emperor Ky Kaoos in the dungeons of Mazanderan where brutal treatment was given to him by deadly warriors Dev-e-Safeed, Arzung and man mountain Kalahour. . Few more month and Rustams dreams would have been realised, this heart desire fulfilled, for he would have seen the birth of his son. But the news of his kings captivity dismayed his happy world. He left his pregnant wife weeping, entrusted her a seal of his clan and beseeched her to tie the same to his new borns limb so the gods would protect the child from the evil and men shrink at the sight of a sign belonging to lord of strength. . For years Rustam fought the enemy, smashed them against granite colums crushed them in his iron embrace, vanquished their mighty army single handed. But the enemies of Persia grew like the hissing serpents of Zohak, venomous and black, no sooner did Rustam cut them off from the shoulders of Persia they grew again. Amongst them was King Afrasiyab of Turan who swore to destroy Rustam. Meanwhile a child was born to Tehminia. She named him Sohrab and as instructed by his sire, she tied the seal to his arm. . One day with a murderous sword of vengeance Afrasiyab ventured to kill Sohrab but Tehminia hid the child and thus Sohrab was saved. however, this was enough warning. Sohrab was raised without the knowledge of his father and was known to be son of Rustam only to few faithful nobles of Samangan. Sohrab was now a young warrior, the son of a lion that he was, he grew to be like one. The treachery of Afrasiyab, who had sworn to kill rustam, brought Sohrab into his cruel trap and the young was matched against his own father in a deadly duel. . War and killing had made Rustam immune to finer feelings and emotions and if ever he felt a pinch in his heart it was a yearning to see his son. But now when the son was within his arms reach, he knew him not. Sohrab felt admiration for the old warrior but he was there only to kill. . Two strongest warriors that ever lived were matched against each other to kill or be killed. The earth trembled in fear, the skies were torn with lighting and the air was filled with the dreadful deeds of the warriors. For three days they fought. Rustam uprooted trees and used them as javelins, flung the ancient stones to kill his son. . On the third day, destiny triumphed, the deadly hour came. Rustam with a war cry pierced the young heart. The heavens rang out with a death knell of the chilling cry and then slowly in silence did Sohrab sunk down to earth. . Rustam saw his seal on Sohrabs arm. Dark clouds passed before his eyes, twice choked with tears, he uttered in a most ghostly voice. . "Slain by my hands, my son! you fall, My beautiful, my brave, the pride of all." . HE seized in both his hands his hair and tore his face and beard and cursed and wept, but nothing he could do to bring back the life of the son he had slained. That was the ordination. . *"The moving finger writes, and having writ, moves on; not all thy piety not wit, shall lure it back to cancel half a line, not all thy tears wash out a word of it".
Director:Vishram Bedekar
Music:Sajjad Hussain
Main Cast:Prithviraj Kapoor, Suraiya... more
Genre:Historical
Banner:Ramsay Productions
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